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Memory, Domesticity, and the Politics of the Visual in Farhin Afza's work

For Hyderabad-based artist Farhin Afza, family archives are not inert records but living sites where memory, comfort, and violence collide

For Hyderabad-based artist Farhin Afza, family archives are not inert records but living sites where memory, comfort, and violence collide. Step inside her practice as she unpacks how domestic objects—cloth, photographs, dining textiles—become lenses to examine personal history alongside wider social fractures.

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